Mujeres Guerreras: Negotiating Women’s Empowerment in Colombia
Mujeres Guerreras: Negotiating Women’s Empowerment in Colombia
Journal of Contemporary Ethnography, Ahead of Print.
This research is based on nine months of ethnographic fieldwork with a formalized youth hip-hop organization in Colombia whose broad work with youth included a mission of women’s and girls’ empowerment. Throughout this article, I show how young women, through their affiliation with this professionalized organization, utilized city spaces to articulate opposition to gender-based inequalities and marginalization, within a larger context of protracted armed conflict and everyday violence. In these spaces, women configured themselves as hip-hop “guerreras” (warriors) and “luchadoras,” (fighters) to convey their fortitude while minimizing risk. I argue that they balanced “uncivic” modalities of hip-hop with a civic language of empowerment to garner support for their labor and causes. By examining women’s NGO affiliations and their creative performances, I show how women simultaneously reinforced sanctioned rhetoric of empowerment while strategically carving spaces to craft media intended to challenge dominant ideologies.
This research is based on nine months of ethnographic fieldwork with a formalized youth hip-hop organization in Colombia whose broad work with youth included a mission of women’s and girls’ empowerment. Throughout this article, I show how young women, through their affiliation with this professionalized organization, utilized city spaces to articulate opposition to gender-based inequalities and marginalization, within a larger context of protracted armed conflict and everyday violence. In these spaces, women configured themselves as hip-hop “guerreras” (warriors) and “luchadoras,” (fighters) to convey their fortitude while minimizing risk. I argue that they balanced “uncivic” modalities of hip-hop with a civic language of empowerment to garner support for their labor and causes. By examining women’s NGO affiliations and their creative performances, I show how women simultaneously reinforced sanctioned rhetoric of empowerment while strategically carving spaces to craft media intended to challenge dominant ideologies.